The Master and Margarita / Мастер и Маргарита. Книга для чтения на английском языке

[152 - The house was called… Griboyedova: a reference to the writer Alexander Sergeyevich Griboyedov (1795–1829), a playwright and poet whom Bulgakov was known to admire. (Комментарий Р?. Беспалова)] Well, did she or didn’t she own it? – we don’t know for sure. If memory serves, Griboyedov never even seems to have had any such house-owning auntie… However, that is what the house was called. And what is more, one mendacious Muscovite used to tell how, allegedly, there on the first floor, in the circular columned hall, the renowned writer used to read extracts from The Misfortune of Wit[153 - The Misfortune of Wit – «Горе РѕС‚ ума», комедия РІ стихах Рђ.

РЎ. Грибоедова][154 - The Misfortune of Wit: Also translated as Woe from Wit and The Woes of Wit, this verse satire, first published in 1825, was Griboyedov’s masterpiece. (Комментарий Р?. Беспалова)] to that same auntie as she lounged on a sofa. But then the devil knows – perhaps he did, it’s not important!

But what is important is that this house was owned at the present time by that same MASSOLIT, at the head of which stood the unfortunate Mikhail Alexandrovich Berlioz, until his appearance at Patriarch’s Ponds.

Following the example of the members of MASSOLIT, nobody called the house “The Griboyedov House”: everyone simply said “Griboyedov”: “I was hanging about for two hours at Griboyedov yesterday.” – “Well, and?” – “I got myself a month in Yalta.

” – “Good for you!” Or: “Go and talk to Berlioz, he’s seeing people between four and five today at Griboyedov.” and so on.

MASSOLIT had settled into Griboyedov so well that nothing better or cosier could be imagined. Anyone going into Griboyedov involuntarily became acquainted first of all with the notices of various sports clubs, and with group and also individual photographs of members of MASSOLIT, hanging (the photographs) all over the walls of the staircase leading to the first floor.

On the doors of the very first room on that upper floor could be seen the large inscription: “Fishing and Dacha Section”, and there too was a picture of a crucian caught on the end of a rod.

On the doors of room No. 2 was written something not entirely comprehensible: “One-day writing trip. Apply to M. V. Podlozhnaya”.

The next door bore the brief but this time completely incomprehensible inscription “Perelygino”.