Любовник леди Чаттерлей / Lady Chatterley's Lover

This was the feeling that echoed and re-echoed at the bottom of Connie’s soul: it was all flag, a wonderful display of nothingness; At the same time a display. A display! a display! a display!

Michaelis had seized upon Clifford as the central figure for a play; already he had sketched in the plot, and written the first act. For Michaelis was even better than Clifford at making a display of nothingness. It was the last bit of passion left in these men: the passion for making a display. Sexually they were passionless, even dead.

And now it was not money that Michaelis was after. Clifford had never been primarily out for money, though he made it where he could, for money is the seal and stamp of success. And success was what they wanted. They wanted, both of them, to make a real display… a man’s own very display of himself that should capture for a time the vast populace.

It was strange… the prostitution to the bitch-goddess. To Connie, since she was really outside of it, and since she had grown numb to the thrill of it, it was again nothingness.

Even the prostitution to the bitch-goddess was nothingness, though the men prostituted themselves innumerable times. Nothingness even that.

Michaelis wrote to Clifford about the play. Of course she knew about it long ago. And Clifford was again thrilled. He was going to be displayed again this time, somebody was going to display him, and to advantage. He invited Michaelis down to Wragby with Act I.

Michaelis came: in summer, in a pale-coloured suit and white suede gloves, with mauve orchids for Connie, very lovely, and Act I was a great success. Even Connie was thrilled… thrilled to what bit of marrow she had left. And Michaelis, thrilled by his power to thrill, was really wonderful… and quite beautiful, in Connie’s eyes. She saw in him that ancient motionlessness of a race that can’t be disillusioned any more, an extreme, perhaps, of impurity that is pure. On the far side of his supreme prostitution to the bitch-goddess he seemed pure, pure as an African ivory mask that dreams impurity into purity, in its ivory curves and planes.

His moment of sheer thrill with the two Chatterleys, when he simply carried Connie and Clifford away, was one of the supreme moments of Michaelis’ life. He had succeeded: he had carried them away. Even Clifford was temporarily in love with him… if that is the way one can put it.