Книжные контрабандисты. Как поэты-партизаны спасали от нацистов сокровища еврейской культуры

2; и Bret Werb, “Shmerke Kaczerginski: The Partisan Troubadour,” Polin 20 (2007), 392–412.

4

Yom Tov Levinsky, “Nokh der mite fun mayn talmid,” в Shmerke kaczerginski ondenk-bukh, 96; Yankl Gutkowicz “Shmerke,” Di Goldene keyt 101 (1980), 105.

5

Mark Dworzecki, “Der kemfer, der zinger, der zamler,” в Shmerke kaczerginski ondenk-bukh, 57.

6

B. Terkel, “Der ‘fliendiker vilner,” в Shmerke kaczerginski ondenkbukh, 79–80; the text of Shmerke’s first hit song is reproduced in Shmerke kaczerginski ondenkbukh, 229–230.

7

Chaim Grade, “Froyen fun geto,” Tog-morgen zhurnal (New York), June 30, 1961, 7.

8

Gutkowicz, “Shmerke,” 108–109.

9

Grade, “Froyen fun geto,” June 30, 1961.

10

Elias Schulman, Yung vilne (New York: Getseltn, 1946), 18.

11

Daniel Charney, “Ver zenen di yung vilnianer?” Literarishe bleter (Warsaw) 14, February 26, 1937, 135; Schulman, Yung vilne, 22.

12

Shmerke Kaczerginski, “Amnestye,” Yung-vilne (Vilna) 1 (1934), 25–28.

13

Shmerke Kaczerginski, “Mayn khaver sutzkever (tsu zayn 40stn geboyrn-tog),” в Shmerke kaczerginski ondenk-bukh, 311–312.

14

См.: Cammy, Young vilna, chap. 2; и Krinsky-Melezin, “Mit shmerken,” 131.

15

Shmerke Kaczerginski, “Naye mentshn,” Vilner emes (Vilnius), December 30, 1940, 3; Shmerke Kaczerginski, “Dos vos iz geven mit bialistok vet zayn mit vilne,” Vilner emes (Vilnius), December 31, 1940, 3.

On his marriage to Barbara Kaufman, см. Chaim Grade, “Froyen fun geto,” June 30, 1961; и Shmerke Kaczerginski, Khurbn vilne (New York: CYCO, 1947) 256.

16

Dov Levin, Tekufah Be-Sograyim, 1939–1941 (Jerusalem: Hebrew University Institute for Contemporary Jewry and Kibutz Ha-Meuhad, 1989), 139–141.

17

Schulman, Yung vilne, 17; Lucy Dawidowicz, From That Time and Place: A Memoir, 1938–1947 (New York: Norton, 1989), 121–122; Krinsky-Melezin, “Mit shmerken,” 135.

18

A. I. Grodzenski, “Farvos vilne ruft zikh yerushalayim de-lita,” в Vilner almanakh, ed. A. I. Grodzenski, 5–10 (Vilna: Ovnt kurier, 1939; 2nd repr. ed., New York: Moriah Offset, 1992).

19

Согласно христианской иконографической традиции, пророк Моисей обычно изображался с рогами на голове. Появление такой традиции было обусловлено латинским переводом стиха из Книги Шмот (34.29; в христианском каноне – Исход).